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TANGO DANCE ASIAN CHAMPIONSHIP?
20th Aniversary Memorial
WELCOME TO TANGO DANCE ASIAN CHAMPIONSHIP 2024
2004, one year after the start of the 2003 World Championships, the Asian championships were held ahead of the internacional championships!
The number of participants exceeded most expectations, but in both the first and second championships, a representative from Asia won the title of world semi-champions! Since then, three more couples have been born as world champions from Asia. It has now become a hot competition where many excellent dancers from all over Asia compete with each other here in Tokyo.
Twenty years later, the champions of the Asian Championships are now seeded for the finals of the World Championships in both Stage and Pista!
GREETINGS
Ambassador of the Argentine Republic in Japan
EDUARDO TEMPONE
Congratulations on the 20th Anniversary of the Asian Tango Dance Championships!
It is a great honor for the Argentine Embassy to be a part of a new edition of the Tango Dance Championship, a unique event that annually brings together the region’s most talented dancers.As a passionate lover of tango myself, I am filled with joy and pride to represent my country at this moment of special significance for the history of this genre in Japan. This year, we celebrate the seventieth anniversary of the tour of Juan Canaro’s ‘orquesta típica,’ the first from Argentina to arrive in these lands, and two decades of the Tango Dance Asian Championship.The history of tango, which emerged at the end of the 19th century in the less privileged neighborhoods of Buenos Aires, is as rich and diverse as its music. Born as an expression of immigrants and marginalized communities, it quickly conquered the dance halls, overcoming social and geographical barriers. Japan, located more than 18,000 kilometers from Argentina, is a living testament to this expansion.Tango has resonated deeply and passionately in this country, demonstrating that music transcends borders and connects people from all corners of the globe. In this context, I wish to express my deepest gratitude to LATINA. Since the 1950s, LATINA has been instrumental in supporting the dissemination of Argentine tango in Japan, making an essential contribution to preserving and enriching this unique artistic expression. Since 2004, LATINA has also led the organization of the Asian Tango Championship.
Likewise, I extend my gratitude to the Japanese Federation of Argentine Tango, co-organizer of this contest and a key institution in promoting Argentine tango, particularly its music and dance, since 2014. I also want to express my sincerest recognition to the artists that will grace Sakura Hall with their talent during these two days, enriching the competition with their performances.
Last but certainly not least, I extend a heartfelt invitation to all the participants to not only compete but also to savor every moment of this experience with passion and delight. Let us remember the essence of tango: the profound joy it brings and the connections it fosters!
CATEGORIES
Competition Categories
6 categories in total
Official Categories directly connected to the World Championships
Stage Categories (Couple Application)
Pista Categories(Couple Application)
Champion couples in the above two categories will be seeded to the finals of the World Championships
Special Categories for Asian Championships
Señor Category(Couple Application)
Waltz Category(Couple Application)
Milonga Category(Couple Application)
Jack & Jill (individual application)
Category Content Description
STAGE CATEGORY
(Official category directly related to the World Championships)
First decide on a tango song to dance to, and then create a dance freely to the song. The dancers are free to create their own intro, leaps, footwork, pauses between songs, end poses, etc., in accordance with the song. The length of the song should be approximately 4 minutes. This is a flowery event performed in tango dance shows.
PISTA CATEGORY
(Official category directly connected to the World Championships)
About 8 to 10 couples go on stage together, improvise steps to 3 songs played by the DJ, and compete in how well they do it by going around the stage in a counterclockwise direction. Basically, the competition is how to express the “chic” of tango. Although there are some rules, such as not lifting the feet high, the range of expression has been gradually expanding recently. It is the most widely loved tango dance competition.
SEÑOR CATEGORY
This category is for couples in which one of the participants is 50 years old or older. This category focuses on the appeal of authentic dance, as the sense of “chic” differs with age. There is an obligation to disclose documents that can verify age at the time of application. This category has recently become popular, but is not linked to the World Championships.
MILONGA CATEGORY
When the World Championships first began, there was some controversy regarding the rules for pistas. Some said that there were too many regulations and that it was boring, so a milonga division was created to allow more freedom of expression. In general, faster and more lively choreography is allowed. It is not linked to the World Championships.
WALTZ CATEGORY
Tango dance, as its history shows, was developed by immigrants who brought dances from all over the world to Argentina and brought them together here. The waltz has also developed in a similar way, with each region of South America having its own unique style. In the tango world, maestros have long favored the waltz as a part of their repertoire, and this has led to the development of a distinctive style of waltz dance.
JACK & JILL CATEGORY
Individual application – select a leader (mainly male) and a follower (mainly female) to apply for the position.
This category was originally created from another genre of couples dance competition. Couples in this category are divided into leaders and followers, and compete in individual skills by changing partners on stage by drawing lots, cards, or dice for each song. In the couples competition, you need a partner to dance, but in this individual competition, you can freely choose your partner, allowing you to enjoy tango dancing while competing in your individual skills.
Rules Official Preliminary of
Tango Buenos Festival & World Cup
These regulations apply to all the Official International Preliminaries of the Tango Buenos Aires Festival and World Championship to be held in 2024.
The Tango Dance competition (“THE COMPETITION”) will consist of the following categories: Tango de Pista and Stage Tango. Entry to both categories is open to amateurs and professionals.
ORGANIZATION
The organizing body of the OFFICIAL PRELIMINARY OF TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024 (“THE ORGANIZATION”) will be the sole responsible for carrying out the event and can take upon themselves to apply an entry fee to the competition, workshop, classes or other activities. For this purpose, THE ORGANIZATION will establish in Annex I of these regulations the details regarding the dates and ways of registration, prizes and additional mentions to those established in these regulations.
Notwithstanding the foregoing, the highest authority in the competition – with regard to the compliance of all the terms and conditions stated in these Rules – will be the General Directorate of Festivals and Cultural Nigths of the Ministry of Culture of the Government of the City of Buenos Aires – BA FESTIVALS
REGISTRATION
To be eligible to register, dance partners must be 18 years of age at the start date of the local competition and must demonstrate – with legal documents – a minimum of 1 (one) year of residence within the area of influence of the corresponding Preliminary.
No one will be allowed to register two or more times in the same category, but a person can register in different ones, with the same or a different partner. If both members of the couple are natives or residents of different cities, they will have to choose the city of residence or birth of either one, as couples are allowed to represent only one city, being the same within the zone of influence of the Preliminary.
The following individuals will not be allowed to compete: staff of the BA FESTIVALS; organizers of Official Preliminaries and jury members of Tango Buenos Aires Festival and Dance World Cup and its preliminaries; sponsors and/or staff of companies that sponsor the PRELIMINARY, or another person with a permanent or temporary relationship with the Office of Festivals.
Also, participants that have seriously breached the competition rules and have been disqualified or eliminated of previous editions of any Preliminary Competition, Buenos Aires Tango Championship or Dance World Cup will will not be allowed to compete. The elimination must have been instrumented in an official document with the due endorsement of BA FESTIVALS.
CHECK-IN
IIn order to check in, all contestants previously registered must attend on the date and time specified by THE ORGANIZATION of the Preliminary, with their national ID card or passport (original copy). At this opportunity, they will receive the order number and be informed of the approximate dates and times on which they will perform in the different stages of the corresponding category.
Those who do not check in will not be able to participate in the championship. A delay will only be considered in duly proven cases of force majeure, except in the event of circumstances of public knowledge.
At the time of check-in, contestants will have to complete a form with their personal information, and with any other additional information required by THE ORGANIZATION. On this form, they shall inform if they have had a work, professional or personal relationship with any member of the jury from the competition, in the last 6 months (180 days) prior to the championship, such as: having a personal and affective relationship with one or more members of the jury; having taken private classes with one or more members of the jury; presenting a choreography in Stage Tango that has been created, reviewed or prepared with one or more members of the jury; having one or both dancers of the couple hired one or more members of the jury – or been hired by one of them- to participate in the same event, performing exhibitions or giving classes within it. This statement made by the contestants will be evaluated by the supervisor and checked with the members of the jury in order to define if any of them will need to refrain from scoring any participant.
All the information provided at the time of check-in will be considered a sworn statement. Any contradiction in the information, subsequent to the signature, may be penalized by THE ORGANIZATION with the subtraction of points, disqualification from the competition, or any other resolution that this body may establish.
The national ID card or passport and the registration form must be shown at every stage of the competition.
All championship contestants commit themselves to participate in various ceremonies and events planned by THE ORGANIZATION of the Preliminary—such as press conferences, interviews for radio stations and over-the-air or cable television channels, etc.—if they are summoned for such purpose.
COMPETITION
The competition, in both categories, can be developed in 3 (three) stages, according to the schedule established by THE ORGANIZATION: a) Qualifying Round, b) Semifinal, c) Final.
a) Qualifying Round: All registered couples will participate. They will dance one time or twice (on the same or on a different day) according to the schedule.
b) Semifinal: Couples that have been selected in the Qualifying Round will participate.
c) Final: Couples that have been selected in the Semifinal will participate.
At the time of the competition, at least ten couples must attend the qualifying rounds for the competition to be considered official (regardless of the number of couples previously registered). Otherwise, the championship will cease to be official and the winning couple will not be classified to compete in the semifinal instances of TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024 (see section PRIZES).
In the Tango de Pista category, couples will compete in group performances, dancing to three recorded songs, selected by THE ORGANIZATION.
In the Stage Tango category, each couple will compete individually, dancing to one song of their choice. The music piece shall not exceed four (4) minutes and must be handed in to THE ORGANIZATION in digital format (mp3 file, storaged on a Flash Memory Drive) during the check-in instance. In that same instance, participants must state the name and surname of the author or authors of the choreography they will present (as it will be requested in the form to be completed). Couples may present different choreographies in the different stages of the contest.
THE ORGANIZATION will be entitled to eliminate from the competition those participants that:
a) Do not comply with the rules;
b) Carry out, during the competition, political or religious demonstrations (by any means) that may be offensive to the audience or the Organization, or affect the course of the event;
c) Commit any moral offense or improper act that tarnishes the image of the Dance World Cup 2023, or may cause displeasure in the public;
d) Carry out, in the context of or on the occasion of the Competition, inside and outside its facilities, any action of physical and/or verbal aggression against any person, whether participant, member of the jury or the staff, or general public.
In the presence of any of these assumptions, THE ORGANIZATION and BA FESTIVALS will implement the disqualification or elimination of competition, for either or both competitors, through documentation proving the reasons for the measure.
In order to guarantee the impartiality and professional integrity of the members of the jury, all competitors may not take private lessons given by any member of the jury while they are in the competition.
JURY
In both categories, the jury will be composed of a minimum of 4 (four) members, who— understanding and accepting the rules of the competition, and committing to their compliance—will determine the score of the participating couples. The juries will be appointed in accordance with BA FESTIVALS and THE ORGANIZATION of the Preliminary.
All the decisions of the jury will not be subject to appeal. By enrolling, participants accept this condition. In case of distrust or disagreement, participants may submit a written statement (in Spanish or English) to THE ORGANIZATION and NOT directly to the panel of evaluating judges. Any jury member who may have had a work relationship or been the teacher of any of the participants of the Preliminary for a period of at least 6 months close to the beginning of the competition, should refrain from scoring such participant. For this purpose, both the voluntary statements of the jury and the information provided by participants when enrolling will be taken into account. In these cases, to get the couple’s final score, the judges’ scores will be added, and this amount will be divided by the number of jury members who actually voted.
The final score for each performance will result from the accumulation of points, given by each member of the jury on a scale of 1 to 10 (with decimals), in accordance with the criteria described in the following section.
The jury will choose a winning couple in each category. Also, the jury (with the agreement of THE ORGANIZATION) may grant awards and special mentions to the second and third place, and will be entitled to award other mentions if deemed appropriate.
In exceptional cases (power interruption, incidents on stage, etc.), the jury and the supervisor may determine that contestants should dance to additional songs to arrive at a fair verdict. Participants may not refuse to perform.
In case of a tie, the couples with the same final score will have to break the draw, either by dancing two additional songs in the Tango de Pista category, or by performing a new choreography in the stage tango category, until a winning couple emerges from the votes of the jury.
SUPERVISOR
Appointed by BA FESTIVALS, the Supervisor will bear the responsibility of ensuring the compliance of the present Rules and properly solve any inconvenience not considered in these Rules and establish or inform about the clarifying or interpretative rules that he considers necessary.
CONTEST (EVALUATION CRITERIA)
1. TANGO DE PISTA (UNRESTRICTED ENTRY, AMATEURS AND PROFESSIONALS)
Tango de Pista is conceived as a social dance, where the most important aspects are the improvisation, embrace and connection between the dance partners.
Circulation of couples: Couples, as in a real dance hall, will dance in rounds and will have to constantly move counterclockwise without going backwards. They will be allowed, if needed, to walk one or two step backwards at most always within the space of the couple.
The couple must be aware and respectful of their own and other couples’ space in the round in order not to break the harmony when moving around. If a couple performs more than two phrases in the same spot, obstructing the circulation on the dance floor, the Jury may consider lowering their score.
In the event that one couple stops the flow of traffic around the dance floor, it is not possible for other couples to go past them. If the jury deems it necessary, the round of couples may have to dance to another tango to solve the inconvenience.
Once formed, the couple must not separate while the music is playing. For the position to be considered correct, the body of one of the members of the couple must be contained at all the time by the arm of the other. It is understood that in certain figures this may be flexible, but not throughout the whole duration of the dance. All movements and figures must be made within the space allowed by the couple’s embrace, so as not to get in the way of the other couples dancing. The leader may invite the follower to walk and/or turn to their right or left, without taking steps backwards on the dance floor.
iIt is not necessary for partners to break the embrace between tangos.
Evaluation criteria: The couple may perform any commonly used figures of “social” tango, including barridas (sweeps), sacadas al piso (drawn to the floor), enrosques (twists), ganchos (hooks), boleos,
etc., as well as embellishments always within their own space, without standing in the way of couples dancing around them. Jumps, figures that involve lifting both feet off the ground and any other choreographic possibilities typical of Stage Tango are completely forbidden.
The Jury will take into account the couple’s own interpretation in different styles as fundamental to the score. They will also consider their musicality, elegant walking style, but especially the connection between partners and the search for their own expression, as well as the ability to change the dynamics and speed accordingly depending on the tango being played.
Costumes: Outfits will not be taken into consideration during the judging process, but dancers are recommended to dress smartly. When choosing the outfit, hairstyle and make-up, please be reminded that Tango de Pista is a social dance and not a stage dance.
2. STAGE TANGO (UNRESTRICTED ENTRY, AMATEURS AND PROFESSIONALS)
Performance: Each couple will offer an individual performance with a song of their choice that shall
not be more than four (4) minutes long.
In case of having a problem with the choreography, the couple will decide whether to continue dancing or not, and the Jury will evaluate the manner and grace with which they solve the inconvenience; but the couple will not be allowed to repeat the performance.
If a technical problem should occur, the Organization along with the Jury will evaluate the repetition of the choreography at the end of the assigned performing time slot.
Evaluation criteria: Participants will be able to express their view of the Argentine tango dance. This means that couples will be allowed to perform movements, figures and embellishments that are not directly related to the traditional tango dance. But the choreography must include traditional elements of tango: figure eights, spins, long walks, boleos, hooks, and the “milonguero embrace.” Couples will be able to break the embrace and use techniques from other dance disciplines, as long as they are justified and enrich the performance of the dancer.
Aerial tricks and movements from other dance disciplines must not be excessive. This means that they must not exceed a third of the overall performance. The couple must include floor movement sequences throughout the whole stage floor.
Costumes: Outfits may be taken into consideration during the judging process.
FILMING AND PHOTOGRAPHING
THE ORGANIZATION of the Preliminary reserves the right to record all the stages of THE COMPETITION, by any means known or to be known—including but not limited to filming, recording, photographing, digitalization, etc.—by itself or third parties, in order to promote and advertise the event. The recorded material obtained will be exclusive property of THE ORGANIZATION of the Preliminary, who will have to turn a copy of it, as established by the Collaboration Agreement, to BA FESTIVALS. By entering the Championship, participants explicitly and irrevocably authorize the use of the recorded material, without this suggesting—or implying—any compensation for any reason whatsoever by THE ORGANIZATION of the Preliminary and/or BA FESTIVALS, in favor of any person or organization that claims entitlement to any right that may be invoked. This clause also includes, without limitations, all photographic material published and/or made available for promotion, advertisement, etc.
PRIZES
Each category of the PRELIMINARY OF TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024 will have one winning couple, who will automatically qualify to compete at the TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024, starting in the semifinal rounds, except for the winners of the European, Asian Championships and South American Championships who qualify directly to the final, and representing the PRELIMINARY and not the city of origin or residence of the dancers, without exception.
The first prize in each category will be provided by THE ORGANIZATION of the Preliminary and will consist of the total coverage of cost of travel and stay of both dancing partners, in the corresponding cases, including tickets from the city of residence of the winning couple to the City of Buenos Aires (airfares and travel included), accommodation and meal expenses for the days of the Preliminary’s Gala, semifinals and finals of TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024, in the month of September, in order to participate in this competition. It will be the obligation of THE ORGANIZATION to guarantee by all the necessary means the presence and participation of the winning couple in the mentioned instances. In case of non-compliance, BA FESTIVALES may consider it as a breach of the agreement duly signed between the parties.
THE ORGANIZATION may establish additional prizes, and all contestants will obtain the corresponding participation certificate.
If the winning couple in any of the official categories renounces to participate in TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024 from the semifinal instances, representing the PRELIMINARY, it will automatically also renounce to the prize consisting of the full coverage of costs of travel and stay, leaving both members of the couple unable to participate in TANGO BUENOS AIRES FESTIVAL AND DANCE WORLD CUP 2024.
Couples enrolled in the championship may participate in the classes or seminars given by the jurors as long as they are group classes. They may not take private or individual lessons with any member of the jury.
The winning couples in Preliminaries with a zone of influence in Europe and Asia, may participate in the final of the European and Asian Championships, this option is not mandatory, it is at the choice of each winning couple.
In those cases where the competition in one or both categories has lost its official character for not having the minimum of 10 participating couples, the ORGANIZATION of the PRELIMINARY will be exempted from the obligation to grant the winning couple the prize consisting of full coverage of costs of travel and stay. In this case, the Organization may choose to offer alternative prizes for the non-official competition.
A couple’s registration and subsequent check-in implies knowledge and acceptance of these Rules by each one of the participants.
ENTRY & FEES
ENTRY FEES
ST : Stage Division (for couples) ¥20.000
PT : Pista Division (for couples)¥20,000
SÑ: SeñorDivision(forcouples)¥15,000
ML : Milonga (for couples)¥15,000
WL : Waltz (for couples) ¥15,000
JJ : Jack & Jill (1 person) ¥8,000
Discounts are available for those who enter more than one division.
(Entry fee includes one seat per person, but we will not refund the seat fee this time. (No refunds for seating fees will be made this time. Please understand)
A discount of ¥2,000 per pair per division will be given. However, entries must be made by the same pair. However, for Jack & Jill, the discount will be 1000 yen per person.
Early bird pricing is available this year.
Please take advantage of the 10% discount for entries received by 18:00 on 07 May!
ENTRY APPLICATION AND COMBINATION FEE CHART
The combination chart is an easy way to see the combination of participation categories and fees!
Please check the chart below before applying.
ENTRY APPLICATION DEAD LINES
MAY 07. 2024
The EARLY BIRD DISCOUNT established this time is valid for those who apply by 18:00 on May 7. As shown in the rightmost column of the table on the right, it is a 10% discount more in addition to other discounts. hurry up!!!!!!!!
JUNE 7. 2024
The above is the deadline for all entries except J&J.Deadlines for J&J are as follows. However, the number of leaders and followers will be limited to 60 persons each.
JUNE 14. 2024
Deadline may be subject to change at short notice due to an increase or decrease in the number of entries.
Please pay attention to the information in the news section of our website!
Judges
Since this Championship is the 20th anniversary of the event, the judges were selected mainly from those who have been active in the World Championships and the Asian Championships.
In addition, based on the rules of last year’s World Competision in Buenos Aires , contestants who have received personal dance instruction or advice within 45 days prior to the day of the competition must notify the judges in advance, who will not be able to judge the contestant in question. The judges must also report contestants who have received personal dance instruction or advice within 45 days. These rules are very strict.(This will be a different rule from the official rules of the World Championships, but it is a rule that was actually handed down by the current general producer of the World Championships, the checker who came from Buenos Aires last year, and which the Asian Championships has been authorized to adopt and implement this year as well.)
Contestants are required to self-report their relationship with the judges before the day of the competition, but if it is found to be definitely fraudulent, the contestant will be disqualified. This is a common but important rule for the competition. Any judge who makes a mistake in this application will not be allowed to serve as a judge this time or in the future. In any competition, fairness is of the utmost importance. We ask for the cooperation of all other contestants and spectators.
RYO IKEMOTO
STAGE
2005 World Stage category Vice-Champion
DAVID LEGUIZAMON
STAGE
Top dancer of worldwide famous Show FOREVER TANGO
CHIZUKO KUWAMOTO
STAGE
2010 World Stage Champion
AXEL ARAKAKI
STAGE
2017 World stage Champion
TAKASHI KOGUCHI
STAGE
2019 Asia Stage Champion
KYOKO YAMAO
STAGE
2009 World Pista Champion. 3rd in the Stage world
HIROSHI YAMAO
PISTA
2009 World Pista Champion. 3rd in the Stage world
MARIA BELEN
PISTA
Top dancer of worldwide famous Show FOREVER TANGO
MIKAGE URUSHIHARA
PISTA
2004 Asian Pista Champion and finalist in the World Championships for 8 consecutive years.
HAZUKI IKEMOTO
PISTA
2005 World Stage category Vice-Champion 2005Asian
YUKA TSUCHIYA
PISTA
2012 Asian Championships Pista, 2014 Stage Division Champion
KAZUMI KUWABARA
PISTA
The only Japanese invited to participate in the World Tango Dance Championships 2003
ARISA URUSHIHARA
SEÑOR MILONGA WALTZ J&J
2004 Asian Pista Champion and finalist in the World Championships for 8 consecutive years.
YOICHI ARAKI
SEÑOR MILONGA WALTZ J&J
Stage Champion at the first Asian Championships in 2004.
NORIKO TANADA
SEÑOR MILONGA WALTZ J&J
2006 Asian Championship Stage Champion
ALEJANDRO QUAGLIA
SEÑOR MILONGA WALTZ J&J
President of Japan Argentina Promotion Association. he was top dancer of Color tango
CRISTIAN ANDRES LOPEZ
SEÑOR MILONGA WALTZ J&J
President of Japan Argentina Promotion Association. he was top dancer of Color tango
MEGUMI KOGUCHI
SEÑOR MILONGA WALTZ J&J
President of Japan Argentina Promotion Association. he was top dancer of Color tango
Special Demo
23 June – Official Category
Hover over the photo to see their names
☆DAVID & BELEN☆David Leguiamon and Belen Bartolome, the famous couple who have long supported dance as dancers, choreographers, and coaches for the world-class tango show Forever Tango. The incomparably beautiful tangos of these two geniuses are called Tango & Luxury and are loved around the world.
☆RYO & HAZUKI☆ In 2000, they formed a pair and founded Alma de Tango Academy. In 2005, she was the champion in the stage division of the Asian Championships with a dominant dance performance. With this momentum, she was also runner-up in the World Championships. Eduardo & Gloria even said, “We thought they were the real World champions.They are a star couple in Hyogo Prefecture, always surrounded by “artists” not limited to tango, and loved by everyone around the world.2010 Argentine Tango Dance Asian Championships in, Salon Division Champion,too.
☆DANIEL & CRISTIANA☆ Daniel Nacucho & Cristiana Sosa-Champions of the Salon (Pista Division) at the 2008 Tango Dance World Championships, this couple has visited Japan many times and is popular for their well-to-understand instruction and beautiful dancing.
☆HIROSHI & KYOKO☆ In 2008, they won the Asian Championships in the salon division, but after a disappointing showing at the World Championships in the same year, they decided to stay in Argentina for one year. They studied tango together from the beginning, and one year later, in 2009, they became the first non-Argentinean champions to win the world championship in the salon division. They also won third place in the stage category…
☆CHIZUKO & ESEQUIEL☆CHIZUKO graduated from Souai University, Faculty of Music, Department of Vocal Music. 2004, she met NIWON and won the 5th prize at the World Championships in 2006, and was the 2010 World Championships Stage Champion. 2009, she has been the leader of “Efecto Tango” in Tokyo. ESEQUIEL is one of the best dancers who has performed in both “Forever Tango” and “Tanguera,” the two most acclaimed tango musicals in the world, and has a long history of teaching in Japan and choreographing for many champions.
☆LEONEL & NATALIA☆They have been teaching tango in Japan for 5 years since 2005, and have also been teaching at the Argentine Tango Dance Association in Ginza, Tokyo, for many years. they are also teachers of tango, jazz dance, folklore, and a wide range of other dances. He is the 4th place winner of the Tango Dance World Championships in 2022, They feel Tango as a way of life.
☆DIEGO & ALDANA☆Diego Ortega started dancing tango at the age of 11. At the age of 18, he came to Japan as a tango teacher and formed a couple with Chizuko, whom he met at that time, and they won champions of the World Championship in 2010. The following year, they toured all Japan with Min-On. Aldana started dancing at the age of 9, not only tango, but also other forms of dance, and has won many prizes in junior tournaments. 2011 they officially formed a unit, and since then have become known worldwide as dancers in the famous “Forever Tango”. At the World Championships, they finished a third in the Pista division of the World Championships in 2022 and 2023.
☆ALEJANDRO & LUCIA☆Alejandro won third place in the 2006 national competition and then went on to become a world-renowned. He was selected as an exclusive dancer for the world-famous “Color Tango” and became world-famous. Lucia is from Kyoto, half Chilean and half Japanese, and has a dance studio from 1997 in Kyoto, and currently Lucia & Alejandro has a studio “Tango por dos” in Akasaka, Tokyo, ando they are the presidents of the Japan Tango Promotion Association. they are beloved characters and a driving force in the tango dance scene in Japan.
Tango Song and Performance
23 June – SPECIAL DEMO
The study of tango singing and playing is very important to learn tango dance in depth. Many tango orchestras and tango singers have been born in Japan for a long time, and japan has been called “the second home of tango”. And now a long-awaited full-fledged male singer has emerged. This time, enjoy the songs of KaZZma, a male singer who knows tango very well, and Mr. Fumoto’s piano!
KaZZma
Tango male singer
Graduated from Souai University, Department of Music, Voice major.
He has been singing for 26 years since 1998, when he made his debut as a soloist in a recital of songs. He studied under Carlos Gali, a singer in the Leopoldo Federico Orchestra. He has sung in many Asian premieres, including Ryota Komatsu’s “Astor Piazzolla Buenos Aires Maria,” NHK’s “100 Years of Piazzolla’s World,” Yuzo Saitoh’s “Orquesta Tipica Pampa,” Hideto Nishimura’s “The Unknown Song Tango,” and Takatoki Suzuki Quarteto’s “Toda mi vida. He is known as one of Japan’s leading tango singers both.
Tomomitsu Fumoto
Tango Piano
He began playing the piano and composing music at an early age. He has studied piano under Luis Fernando Perez, tango piano under Shino OHNAGA, Nahoko Aoki, and Nicolas Ledesma, and composition under Kenichi Nishizawa. Winner of the Encouragement Prize at the 1st Hiroshima Composition Competition and the City Council Chairperson’s Prize at the 20th Machida City Piano Competition; participated in a master class at the Pablo Casals Music Festival (France) in August 2015 and performed at the same festival; in May 2016, toured in Italy and Spain. Currently, in addition to tango activities, he also performs improvisation and accompanies plays.
Special Demo
22 June – Unofficial Category
☆CRISTIAN & NAO☆ Cristian originally from Zarate, Buenos Aires, met and paired with Nao in Tokyo in 2007, and since 2009 they have frequently participated in the World Championships, always becoming the finalists in both categories, and this year they participated again in the Metropolitan Championships, where they were champions. While active in the world, they also runs a salon “Buenos Aires” in Aoyama, Tokyo, and has contributed greatly to the spread of tango dance in Japan.
☆Mikage and Alisa☆ first encountered Argentine tango in 1999 and paired up with each other, becoming champions in the Salon Division of the 1st Asian Championships in 2004. They won champion of the stage division in 2009. They have participated in the World Championships for 8 consecutive years since 2004, and have been finalists in all of them. He runs 「 Tango Tokyo Academy」a tango studio in Ikebukuro, Tokyo, where he teaches younger generations of tango dancers.
☆Araki & Mayumi☆ Araki was champions in the stage division of the first Asian Championships in 2004, and also participated in the World Championships. Since the time when tango dance was not yet popular on stage, they have continued to promote the appeal of tango dance. She has been presenting a new style of tango dance in Japan, mixing tango with modern dance and other unique choreographies, and giving independent performances every year.
☆Takashi & Megumi☆ Takashi & Megumi studied under Japanese tango dance pioneers, Tahei Kobayashi and Yuko Eguchi, and began their professional career in September 2006. 2011 finalist in the Salon Division of the World Tango Championships. 2013 Independent dancers, began working as a freelance dancers. they opened their studio “El Recodo” in Ningyocho, Nihonbashi, Tokyo, from Jan. 2019. champion of the stage division at the 2019 Asian Championships. they are well known among fans for their serious attitude towards tango
☆KaZZma☆ Tango Male Singer. Graduated from Souai University, Department of Music, Voice major. He has been singing for 26 years since 1998, when he made his debut as a soloist in a “recital of songs”. He studied under Carlos Galli, a singer in the Leopoldo Federico Orchestra. He has sung in many Asian premieres, including Ryota Komatsu’s “Astor Piazzolla Buenos Aires Maria,” NHK’s “100 Years of Piazzolla’s World,” Yuzo Nishitoh’s “Orquesta Tipica Pampa”, Hideto Nishimura’s “The Unknown Song Tango” and Takatoki Suzuki Quarteto’s “Toda mi vida”. He is known as one of Japan’s leading tango singers. Member of Japan Tango Academy.
☆Tomomitsu Fumoto☆ Piano. He began playing the piano and composing music at an early age. He has studied piano under Luis Fernando Perez, tango piano under Shino Onaga, Nahoko Aoki, and Nicolas Ledesma, and composition under Kenichi Nishizawa. Winner of the Encouragement Prize at the 1st Hiroshima Composition Competition and the City Council Chairperson’s Prize at the 20th Machida City Piano Competition; participated in a master class at the Pablo Casals Music Festival (France) in August 2015 and performed at the same festival; in May 2016, toured in Italy and Spain. Currently, in addition to tango activities, she also performs improvisation and accompanies plays.
SEBASTIAN SAITO
MC
He is a well-known tango MC and has been dancing tango since 2006.
YUKO AMANO
DJ
She has been Tango DJ and tango dancer for over 20 years. She has been busy traveling around the world, not only in Argentina, but also in Europe, Asia, and the Middle East.
TOMO HOSHINO
DJ
He started dancing tango in 2002 and has been DJing for about 20 years. He has been DJing for about 20 years, mainly in Tokyo, but also at other milongas in Japan.
KATUAKI HANADA
Technical Assistance
Former editor-in-chief of Latina. Currently a city councilor in Goshogawara City, He is a brilliant person who went from Kyushu University to the graduate school of Tokyo University of Foreign Studies. He specializes in Brazil and Brazilian music, but is also knowledgeable about Latin American culture in general.
staff
Powerful staff with a great love for tango
SINOBU NAKAMURA
English Interpreters
her M.A. in Second Language from Minnesota State University in 2008. she is currently a professor of Academic English and English Pedagogy at a private university in Tokyo, Japan. 15 years ago he started learning tango under various teachers.
AKI OTA
Spanish Interpreter
Graduated from Tokyo University of Foreign Studies with a degree in Spanish. After working in Mexico City, worked for LATINA Inc. She has been involved in the establishment of the Asian Tango Dance World Championships since its inception. Since 2007, She has taught Spanish at several universities, including Dokkyo University.
OSAMU NOZOE
Video Cameraman
Born in Brazil.He is a member of the ex-worldVillage video production staff who used to work for Latina-Sony. He has been working for a major agency since then, and has been making wonderful images for this championship every year.
AKIYO MIYAZAWA
Video Cameraman
She is a member of the ex-worldVillage video production staff who used to work for Latina-Sony. She has been working for a major agency since then, and has been making wonderful images for this championship every year.
TORU SAKAI
Photographer
As a young man, he photographed Papa Wemba in Paris and Zaire, then worked as a photographer for “Focus” before going on to cover and photograph Fela Kuti in Nigeria. He also photographed the death mask of Fela. His photo book “Hashima or Gunkannjima” (Gunkanjima) is also popular.
SHIZUO ARAI
Stage Equipment
ARAI Inc.Originally a member of a theater company for 30 years. He is currently the president of a small props company and devotes himself to his theater company and his own theater. He has a personality that is well-liked by all.
RYU KIUCHI
Sound Engineer
MUSICA Inc. His father was a sound engineer, which led him to this stage sound job at a young age. He has worked mainly with Brazilian music, Argentine tango, and other Latin American music. He is one of the few Latin-centered sound engineers in Japan.
JUNICHI SOMEI
Lighting Engineer
VIEW Inc. Originally with a lighting company, he became independent after working on numerous tango lighting projects. He recently started his own company. His work is highly regarded for his willingness to incorporate new lighting technology as it becomes available.
Asian Championships Executive Committee
The Executive Committee is a group of people, not necessarily exclusively tango related, but broadly based, who love music and world culture and want to help develop the fascinating dance of tango in Asia.
MASAHITO NAMIKI
Chairman
While studying at Boston University, he discovered tango. After returning to Japan, he became the pista champion at the 2nd Asian Championship in 2005. He studied business administration at the graduate school of Torcuato di Tella University in Buenos Aires, gaining deep knowledge of Argentina from both cultural and economic perspectives. Currently, he is the Chairman and CEO of Interbrand Japan, the world’s largest branding company, and the CGO of Quanmatic, a cutting-edge quantum computer start-up in Japan.
AKIYOSHI TANADA
Vice-Chairman
He is the 2006 3rd Asian Championship Stage Champion and is currently the Vice President of the Japan Argentine Tango Federation.
He oversees not only the front work but also the backstage work at the Asian Championships.
He has traveled to Buenos Aires almost every year to see and hear the reality of tango, and continues to teach the joy of tango mainly to younger generations at his school “La Baldosa” in Ebisu with his wife, Noriko.
LUCIA BARRIOS
Member
Half Chilean, half Japanese. Raised in Santiago, the capital of Chile. During her childhood, she was taken to a milonga by her grandmother, a tango enthusiast, and was exposed to the essence of tango. After returning to Japan (1997-), she became an exclusive dancer for the Astorico Orchestra. Eventually, she became a principal instructor at training institutions for aspiring professional dancers in Tokyo and other Asian cities.Since 2018, he has presided over APTA (Argentine Tango Promotion Association). He currently runs and operates “Parados Tango Studio” in Akasaka, Tokyo with his partner Aljandro.
ATSUSHI IMAI
Special Support Member
After playing violin in Europe, the U.S., and Brazil, she worked for a major electronics company in business development and management of cell phones, network services, and SDGs. Since becoming independent, he has been involved in local development, entrepreneurship support projects, and startups, while preparing for the revival and caravanning of the World Event Village (WEV) project. In addition to classical music, he has a deep knowledge of world music, including Brazilian music.
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MIDORI HONDA
Member
Latina accounting executive in charge of accounting for the Asian Championships, told for 20 years that one day the company would be profitable, and here we are today. She is a graduate of Tokyo University of Foreign Studies, but is forced to do nothing but arithmetic. She is famous for surprising a checker from Argentina who started calculating by hand in the early days of the Asian Championships, and who was unthinkably slow, but she was able to do it in a split second…
CHIZU AZUMA
Member
She is in a fan club of Japanese artists of the world type, but she actually came to Latina from a large company in the power supply industry. She is also the main person in charge of editing webLATINA, imported costumes, shoes, and so on ando a reliable person who loves a wide range of world music from Brazil to Cuba,Tango….
KENJI HONDA
head of the organizing committee
During his college days, he was the chairman of the Eastern Japan Student Guitar Federation, and later joined Philips (Nippon Phonogram), a record company with strong Record sources of European and South American. He released many LP’s such as Paco de Lucia from Spain, Gal Costa, Jorge Ben, and other stars of Brazilian music from Brazil, Mercedes Sosa etc. folklore from Argentina, and Piazzolla’s “Piazzolla in New York” for tango, etc. 1974, he moved to Spain. After returning to Japan, he joined Latin-American Music Company. He invited Piazzolla, Caetano, Gil, Gal, and countless others……